How To Set Up An Electric Guitar Amp

If yous have bought a guitar amp or are thinking about upgrading your amp, this guide is for you.

This guide will prove y'all how to become the most out of your amp by showing you how to become an expert in your guitar amp's settings.

Desire to upgrade your practice amp to a big high-powered stack? Read this guide first

This guide is so important because of something I see as well oftentimes equally a guitar instructor. I frequently see students 'upgrading' their amps considering they're not happy with the tone their current amp produces. Information technology normally happens like this:

1. The student buys a new amp and plays around with information technology for a couple of weeks. Eventually, they get frustrated because information technology's not producing the tones they want so they go to the guitar shop.
2. The salesperson tells them that their current amp isn't suitable for the fashion they want to play and they recommend something else.
3. The salesperson demos the amp and the educatee buys information technology considering it matches the tone they're after.
4. After a few weeks, the educatee gets a scrap frustrated because they're unhappy with how it sounds….

This has happened to quite a few of my students over the years. Before we dig into guitar amp settings and how to dial in a great tone on whatever guitar amp, permit'due south look at what's the problem is and how y'all can avoid information technology:

People have different ideas on which amps are suitable for unlike styles

If you lot want to play a certain style, people volition beginning suggesting different guitar amps to arrange that way. While those suggestionsmight exist helpful, what usually happens is it causes you lot to dubiety your own amp choice (if you already have one).

So if you accept amp X and somebody tells y'all amp Y is bang-up for the style you want to play, yous will start doubting amp 10even if that amp is perfect for that style.

If you're not sure what blazon of guitar amp is correct for you, read through my Guide on Types of Guitar Amps.

The salesperson at the guitar shop (or any other experienced guitarist) knows how to punch in expert tones with near whatever amp

One of my students bought an unsuitable amp (in my opinion) on the spot because the guitar salesperson dialed in a great tone at the shop. An experienced guitarist can make almost whatsoever amp sound nifty merely like an avant-garde guitarist tin make a inexpensive guitar sound far amend than it is.

Then if you get to the guitar store in search of an amp, exist aware that it'south very easy for the salesperson to brand one amp sound better than another.

It's also worth mentioning that there are many tricks some salespeople will use to make one amp sound superior to another. For instance, having one amp slightly louder than another amp tin be all it takes to make that person believe that the louder amp is superior. This is used often in the hullo-fi and home theater industry – to brand a more expensive unit sound better they simply raise the volume slightly.

Go along this in mind when you're comparing guitar amps – notwithstanding-chosen 'audiophiles' tin be easily tricked with the right conditions.

Blaming gear isn't the reply

Getting frustrated at your gear because you lot tin't reproduce a tone y'all hear in a song is a common problem well-nigh beginners and intermediate guitarists experience.

I've heard of beginners buying $2000+ amp stacks because they thought that buying high-priced gear will give them slap-up tone. That's what the amp makers want you to believe! This guide will steer you away from that line of thinking.

Guitar Amp Settings Presets (and why you should ignore them)

One reason why I created this guide is that I saw how many websites list different guitar amp settings or presets. Yous will see a lot of websites listing guitar amp presets like:

METAL: Drive x, Bass ten, Mid 1, Treble 7, Vol 8

BLUES: Drive three, Bass 2, Mid 5, Treble 2, Vol half-dozen

Stone: Bulldoze 7, Bass 5, Mid seven, Treble 7, Vol 7

The major problem with guitar amp presets is that every guitar amp is dissimilar so the presets are useless. If you lot lined up 10 unlike guitar amps and set them all with the verbal same preset, each one would still sound completely different.

Read the comments on those websites and you will see countless people lament that they followed the advice and information technology didn't give them the tone they wanted.

Even if y'all have the same amp as the person making the recommendations, your guitar and pedals will change your results.

The goal of this guide is to teach y'all to use your ears and figure out the right preset for any situation on your own. If you follow the advice in this guide yous will never need to look up another guitar amp settings preset once again.

The master lesson here is that guitar amp settings presets don't teach you how to use your guitar amp or how to dial in expert tones.

Guitar Amp Basics

Let's start by getting a general feel for the typical controls on guitar amps. The three examples below are very unlike from each other, but you lot will observe some similarities in the controls.

In that location are countless other amps out there with different controls, and so the 3 below will give y'all a practiced thought of what to expect.

The Fender Mustang I shown to a higher place is a digital modeling amp which is why the section on the correct of the higher up photo is so dissimilar from traditional guitar amp controls. A lot of mod combo amps have some effects built-in and many give the option to save different presets.

Older combo amps may be limited to reverb as the only onboard effect. Here are the primary controls worth mentioning:

• Proceeds knob
• Volume knob
• Treble & Bass knobs
• Master knob
• Preset knob with LED indicators
• Modulation & Delay/Reverb knobs

This amp gives a wide range of aqueduct options and models unlike types of amps which is becoming more and more common with combo amps.

The Marshall MG15DFX above is an example of a pocket-size combo amp with a few built-in furnishings. It's also simpler than the Mustang I shown earlier. Here are the master controls worth mentioning:

• Volume knob under 'Clean' aqueduct
• Gain & Volume knob nether 'Overdrive' aqueduct with an 'OD select' button
• Bass, Contour & Treble knobs
• Preset/Adapt & FX level knobs for digital effects

The below amp is a Peavey 6505+ head unit of measurement. While it might look daunting compared to the above examples, when yous expect closer it becomes clear that this amp is really pretty bones.

The unit has ii channels with independent controls. And then while it looks like a lot of knobs, it'south only because each aqueduct has dedicated controls rather than master controls. This means you can gear up different EQ settings for the 'Rhythm' or 'Atomic number 82' channels. Here are the main controls:

• Pre & Post gain knobs (one set for each channel)
• Low, Mid & Loftier EQ knobs (one set for each channel)
• Resonance & Presence knobs (ane gear up for each aqueduct)

When we compare the three amps to a higher place, nosotros tin see that they all offer:

• Gain options (either one or two proceeds knobs per channel)
• EQ options (some combination of Bass, Mid, Treble)
• Channel and principal book options

That's what this guide will focus on and by the stop, you lot will be able to tweak these controls on whatever amp to produce the tone you desire. Your amp may have more or fewer controls than the examples to a higher place, simply the chief features to pay attention to is gain, EQ, and volume.

Think of those controls as the core of your tone. Other features such as inbuilt effects are something you consider later on.

Getting a Practiced Clean Tone

Learning how to get a good clean tone is an important starting step

Let'due south start with the most basic thing y'all can do with your guitar amp: getting a clean tone. This is a good starting signal every bit it volition get yous comfy with how the gain, EQ, and book controls all contribute to your overall tone. It volition as well emphasize the importance of pickup pick.

1. Select your clean aqueduct or turn the gain downwardly if y'all don't have multiple channels

Many mod amps will have multiple channels so select a clean channel to get you lot started. If your amp has multiple clean channels (eg: a digital modelling amp with a few different clean options), option any for now.

ii. Plow off all amp furnishings and upshot pedals

At this point, all you desire is a very clean and dry sound without whatever effects. Plough off any compressors, boosters, delay, reverb or annihilation else that might be on. When yous play your guitar it should audio dry without any hint of furnishings or whatsoever grit or distortion.

This is important considering it gets yous thinking about the underlying tone before yous utilise whatever effects. Quite often people start with effects (eg: delay) on and it distracts them from first setting up a good make clean tone. So start with everything else off.

On a lot of digital amps, the clean setting may be a preset with some effects built-in. And then even if you accept an option for make clean, double check to make sure all the effects are turned off.

3. Bring the bass, mid & treble knobs all to 12 o'clock

As explained before, every amp is different, but with most amps this should be a neutral setting for EQ. Using this equally your starting point volition give you a feel for your amp's natural tone before y'all kickoff tweaking information technology. Prepare your amp'south EQ knobs to look similar to below:

Starting with your EQ as flat every bit possible allows yous to get a good feel for the natural sound of your amp. You tin can always tweak the EQ later, and so fifty-fifty if yous don't like what you hear at present, it'due south proficient to go a basic starting signal.

four. Go on the gain adequately low and accommodate the volume to a suitable level

With some amps, if you roll the gain knob to zilch it cuts the signal. Keep the gain low enough that you tin can withal hear your guitar and adjust the volume up or downwards to bring it to a comfortable level.

When yous hit a chord difficult you shouldn't hear any type of distortion at all and it should die off naturally. If you practice hear a fleck of grit or breakup in your tone, back the proceeds off.

You probably won't similar the sound of a very dry amp, but don't worry. This is simply to give you a baseline. Yous volition exist able to whorl the gain back in later to notice the tone you're after.

5. Jam for a while to get a feel for the tone

Spend at least a minute jamming so alter to a different pickup. Spend at to the lowest degree a minute on each pickup combination to get a feel for how each pickup sounds. Don't worry if the tone sounds bad as you will soon tweak it to your liking.

half dozen. Think about what you like about the tone and what you don't like well-nigh it

This is an important pace so don't skip alee to making adjustments yet! Learning how to recall critically virtually your tone before you make adjustments is how you will get a good tone in the end. Randomly tweaking knobs or adding in stompboxes won't teach y'all to control your tone.

At get-go, it will be hard to describe what yous like/dislike almost your tone. Hither are some basic examples of what y'all might be thinking:

• It sounds too muddied
• It sounds sparse and hollow
• I'1000 getting a twangy sound
• I like how crystal clear it sounds
• It produces a weird boomy sound when I play chords

Over time you volition be able to become more than specific about what you like/dislike most your tone so spend a few minutes now trying to depict your tone.

vii. Outset making small-scale adjustments to set whatsoever issues you hear

The previous step is so important because you need to start know what you don't similar about your tone before you make whatever changes. Tweaking knobs without a specific goal won't help yous get a good tone.

At first, you may not know how to ready a trouble such every bit 'information technology sounds thin and hollow', simply this experimenting phase volition teach you lot how each knob affects your tone. So while I'd like to give you a recipe for fixing any possible bug, y'all won't learn much from it.

Here'southward an example of the type of experimenting to get through when trying to ready a trouble or make an improvement:

Permit'south say you feel your tone is thin and hollow.

1. Start by turning the bass knob up and jam for a bit with each pickup. Did that fix the problem? The chances are it will still audio thin but at present has a more boomy sound. Turn the bass knob dorsum.
2. Plough the mid knob up. Did that fix the problem? This time it will probably sound muddy as if the amp was made out of cardboard. Turn the mid knob back.
3. Plow the treble knob upwardly. Did that fix the trouble? It's like it volition sound fifty-fifty thinner but now have a bright or shimmering sound. Turn the treble knob dorsum.
4. Turn the gain up and adjust the volume down to compensate. Did that fix the problem? It's likely that information technology fills out your tone but you lot still feel it's a bit hollow. If this made an comeback, you would then continue by either trying to enhance the proceeds some more or go on the alter and go back to the EQ knobs to further improve the results.

So for this example, you might find that turning the proceeds up and adjusting the bass and mid knobs solves the problem.

Call up of the higher up example as a way to figure out how to overcome any bug in your tone. Go through each setting 1 at a time to figure out which setting helps solve the trouble. There isn't a rulebook that gives perfect solutions to whatsoever problem so that'south why this process is important to learn.

Once y'all solve whatever upshot or problem you hear in your tone, you tin can shift your focus to anything else that doesn't sound quite right. The main lesson hither is that the but style yous volition be able to stop upward with a great tone is if you accept the time to learn how each knob impacts your overall tone.

eight. Add in any effects you desire after you're happy with your tone

A good delay can raise your make clean tone

But after y'all have tweaked your way to a tone you're happy with should you even consider adding any other effects or pedals into the mix. The reason is that you want your other pedals to enhance your tone – not to try and fix a crappy tone. A lot of people become this the wrong way around and start buying pedals to ready a bad tone.

Don't buy more than gear because you're unhappy with your tone. Become your clean tone into a expert position then you can await at how your other pedals might enhance your tone.

When you do add together whatever effects in, outset with the mix of the issue low and slowly heighten it until you observe the right level. It might sound adept to crank the event up, but in well-nigh situations having the effect a bit lower in the mix ends up with better results.

If your amp doesn't have inbuilt furnishings or yous prefer to utilise pedals, here are a couple of guides to assistance yous find suitable pedals for your clean tone:

• Best Delay Pedals – delay is a great way to requite your clean tone a fuller audio
• Best Reverb Pedals – while non every bit popular as delay, reverb tin can brand your clean tone feel more lively – specially at habitation
• Best Compressor Pedals – y'all'll be surprised by how much a compressor pedal can raise your clean tone

nine. Attempt coming upward with unlike types of clean tones

Mind to a few unlike songs or guitarists using clean tones and y'all will hear a wide range of different sounds. Some guitarists like a rich tone full of sustain to the point where information technology almost sounds similar overdrive. Others like a burnished-like tone while some prefer a bit of grit in their clean tone to requite it some edge.

Try to experiment with your make clean tone to get a experience for the overall range your amp has to offer. The more distinct make clean tones you can produce with your amp, the more options you will have afterwards on then it's worth the time spent experimenting.

Hither are a few examples of songs with clean tones you might want to effort replicating:

• Sweet Home Alabama – Lynyrd Skynyrd (a very twangy clean and so make sure you lot consider your pickups)
• One – Metallica (heed to the deviation in tone between the rhythm and lead tones in the intro and try to replicate both)
• Purple Rain – Prince (first endeavor to replicate the silky make clean tone before you add any furnishings)
• Little Wing – Stevie Ray Vaughan (listen to the slight grit in the tone when picked hard. As well listen to the Hendrix version for a very different tone)

The more different clean tones yous can produce, the more flexibility you will have when writing your own music or trying to replicate somebody else'southward tone. So listen out for whatsoever clean guitar and endeavour to replicate information technology with your amp.

Using Pedals or Your Amp For Your Proceeds

A proficient overdrive/distortion pedal can be a cracking culling to using your amp's bulldoze

Now that yous have experimented with getting a good clean tone and you have a good feel for your amp'due south controls, you can turn to a distorted/overdriven tone.

There are two main ways you can get a distortion/overdrive tone: use a pedal or use your amp. The right option for you depends on what gear yous have available and what sounds you want to produce. Quite often a person gets frustrated with their amp because they're unhappy with the distorted tone they're trying to produce.

Experimenting with using pedals or your amp (or a combination of both) to produce your distorted/overdriven tone is a proficient starting indicate when getting the most out of your amp.

Some guitarists are adamant that your drive tone should come from your amp while other guitarists are just as insistent that the best drive tones come from pedals. I suggest that instead of limiting yourself to one way or some other, go along your heed open to all options.

One day you might find a pedal or amp that delivers a smashing tone and so don't restrict yourself for at present.

In my Guitar Effects Class, you can hear examples of unlike ways to create a drive tone. You'll be able to compare an overdrive from an amp vs a pedal, and you'll learn how to 'stack' your drives for some incredible tones.

Getting a Good Drive Tone

Let's become through how to think virtually drive tones and how to set upwardly a practiced tone on your amp.

i. Think nigh what you lot want out of your tone

The first thing to think virtually before yous start setting up a drive tone is what you want to use the tone for. A lot of guitarists don't think about this and end upwardly with a sub-par tone as a result. The drive tone you lot create should lucifer what y'all will play.

For instance, if yous're playing rhythm guitar in a ring with two guitarists, turning upwards the gain as well high or adding in effects like filibuster tin can easily ruin your ring's overall sound. People will struggle to hear yous in the wash of noise.

While your rhythm tone might sound great on your own, things change when yous're playing in a ring. On the other manus, a high gain tone with delay tin can exist perfectly suitable when playing solos or lead lines. And so remember that the drive tone yous use must match your state of affairs.

Here are a couple basic examples of what blazon of drive tone works all-time for different things you might play:

• Metal rhythm riffs: using a fairly low gain will bring the clarity out in your riffs. Too much gain might sound expert on your own in the bedroom, but live or on recordings it can plough your tone into a mess. Lower proceeds gives y'all more than definition to your riffs.
• Strumming ability chords: a fairly low gain gives your chords more dial. Too low proceeds will thin out your tone and make the chords sound less powerful.
• Rock/metal solos and atomic number 82 lines: higher gain volition give you more sustain and aid with any pinch harmonics you want to add in. Adding in effects such as delay can give your tone a fuller audio.
• Blues atomic number 82 or rhythm: your drive plays a big part in the feel and grapheme of your playing. A warm overdrive that slightly breaks up your make clean tone tin give you plenty of inspiration. A highly saturated tone works when yous want more sustain – simply use your volume knob to roll the bulldoze back and clean up your tone as needed (like to how Hendrix achieved his clean tone while playing live).

The offset iii examples in a higher place could all be found in the one song, so information technology'southward important to think that the tone you create should lucifer what yous're playing. A song might start off with an intricate riff needing definition, then it might movement into a power chord based verse needing less gain.

When information technology comes time for the solo you might find that some extra gain and delay allows your solo to shine.

While yous could get abroad with having i bulldoze tone for everything, you're not going to be getting the best out of your gear. The best tone volition change to match what you're playing.

two. Start with an advisable pickup

It's hard to get a precipitous and punchy rhythm tone when y'all're using a single-scroll cervix pickup. It'southward but every bit hard to go a shine and thick lead tone when you're using a loftier power humbucker on the bridge. So start off by choosing a pickup setting that matches the type of tone yous will demand. If you're unsure which pickup should work best, let your ears make up one's mind.

If you're an experienced player this might audio obvious, but it'due south worth remembering that y'all should regularly switch between pickups when tweaking your amp'south settings. Have a listen to how your different pickups affect your bulldoze tone and which pickups are the best fit for the bulldoze you come up with.

3. Cull a suitable amp model (for modernistic digital modelling amps)

Your amp may have a lot of models to choose from. Take the time to larn how each i sounds

Many modern amps will requite you a range of different amp models to choose from. This can oft make finding the right tone complicated equally yous're always wondering what the other amp models sound like.

If you're not already very familiar with the different models your amp offers, take some fourth dimension to go used to each ane. Spend a few minutes with each model and jam with it. Get a feel for what mode of music the model would suit and whether you like the tone or non.

After doing this you lot will probably detect that you similar a couple of the models and dislike the residue.

Discover the model that is the closest to the tone you're subsequently without having to tweak anything. It's possible to tweak other amp models to go the tone you lot're afterward, simply start off with the bones amp model and effort to observe the closest one.

Once you've found the amp model that gets you lot close to the tone you're after, y'all can move to the next step.

four. Set the EQ flat and plow off any effects

But similar with your clean tone, the goal is to start off with a very flat EQ curve and so you get a feel for the amp's natural sound. You lot probably won't like how it initially sounds, only information technology'due south non a good idea to skip this step.

For now, leave the gain fairly low. We will accommodate the gain after so don't worry if it isn't at the right level. Every bit long equally your EQ is apartment and all your furnishings are turned off, move on to the next step.

five. Spend a few minutes jamming with this tone

Retrieve that you want to match your tone to a specific situation (eg: chord strumming, lead, riffs, etc.). So make sure y'all but play the type of stuff y'all desire to employ this drive setting for. That means don't jam with both lead and rhythm parts because you will want different things from your tone for those situations.

If you want to get a good lead tone, play pb. If yous want to prepare a good rhythm tone, play the type of rhythm you want to play.

Spend some time jamming with this setting and endeavor to think what you lot like or dislike nigh the tone. Does it sound muddy? Is it thin? Does it have too much of a high-end bite? Think well-nigh what you would like to change about the tone for a while before yous make any tweaks.

6. First fixing any problems you hear in your tone

Only similar with your clean tone, you should turn 1 knob at a fourth dimension to learn how it affects your tone. Turning the bass knob up or down with a bulldoze setting can sound completely unlike from turning it upward or down with a clean setting. So fifty-fifty if y'all followed the higher up steps with your clean tone, you nonetheless demand to go through the steps with your drive tone to learn how your EQ affects your tone.

Let's say your tone sounds too boomy when playing palm-muted riffs. Hither is an example of how yous should endeavor to fix the problem:

1. Start by checking to make sure the problem isn't with your pickups. Jam for a while with each pickup and have note whether the boomy sound changes or non. Continue through the steps with the pickup that gives yous the to the lowest degree boomy sound.
2. Turn the bass knob down and jam for a bit. Did that fix the trouble? It probably did, just just for this exercise, turn the bass knob back upward and then y'all tin hear how the other settings might also alter your tone.
3. Turn the mid knob down. Did that fix the problem? Depending on your amp you might hear slightly less boom merely the tone volition probably sound slightly hollow. Plow the mid knob back.
4. Plow the treble knob upwardly. Did that set the trouble? You lot will probably even so have the exact aforementioned boomy sound, just at present your riffs have a 'sharper' or brighter sound. Turn the treble knob dorsum.
5. Turn the proceeds downwards and suit the volume up to compensate. Did that fix the problem? It might accept partially fixed your problem depending on your amp.
6. Call up almost how each knob afflicted your tone. If any of the changes you made improved your tone, brand that change now. In this example, it probably means you would lower the bass knob, slightly raise the high knob and adjust the proceeds down slightly.
7. Once you make those changes, jam with the result and think about what further tweaks you might want to make. Repeat the steps until you find the setting that doesn't need whatever more tweaks.

Remember that every amp is different so if you have a problem with your tone the but way you will solve it is to get through the steps above.

vii. Add in whatsoever furnishings yous want to employ

A compressor can exist an easy way to requite your atomic number 82 tone more sustain and width

Depending on what you lot want to play, yous might add together in effects such every bit delay or a compressor, or you might use modulation effects such as a phaser or chorus. Adjust the issue's settings to suit your tone. Yous might as well need to make slight tweaks to your amp's settings after you lot add in any pedals, but they should really exist only minor tweaks.

8. Accommodate your proceeds to the right level

Once you have added in any effects, you tin at present adjust the gain to observe the ideal level. Commencement with the gain turned right down and slightly plow it upwards a fiddling flake at a time while jamming. Every time you plow the gain up, think to yourself whether the change improved your tone or not.

You volition find that at a certain point adding more than gain doesn't improve your tone. When you reach that point, beginning slightly rolling off the gain and inquire yourself whether it improves the tone. Yous will probably find that you lot can gyre a fair fleck of gain off before it starts feeling like you're taking away from your tone.

Your ideal proceeds level is somewhere between those two points. It'south non an exact science so exit your proceeds at a level where you lot feel happy with the result.

nine. Write downwards the settings yous used for this drive

Writing down the exact settings yous use along with any notes such as what you lot like about the tone or what type of playing it suits is a great way to learn how to get the nigh out of your gear.

Every time you come with a new drive tone, write downward notes so you can reproduce information technology. In a year'southward fourth dimension, y'all might accept xx unique drive tones and exact settings to reproduce them as needed. Or if you record a song with a sure tone, you now have a fashion to reproduce that tone exactly.

Not just is this a good mode of keeping a record of the tones yous come up with, merely it helps you larn to get the most out of your amp. I've seen a lot of students struggle with their tone considering they don't learn from their experiences.

Written notes help y'all think how and why different settings sound good or bad.

10. Attempt to replicate unlike drive sounds from dissimilar guitarists

Go through your music collection and option out 5 completely dissimilar bulldoze sounds. Try to detect a mix of both rhythm and lead tones and in different styles if you can. The goal here is to meet how broad you can push your amp.

Can you get a solid rhythm metal tone, a warm blues tone, a high sustain lead tone or a vintage rock tone all with your amp? If yous accept the fourth dimension to experiment with your amp, you lot'll be surprised how many different tones you can accomplish – especially if you have a modelling amp.

Fifty-fifty if you lot only similar to play one way of music, it's still worth trying to come with unlike tones. Every time you try and emulate a dissimilar tone, you lot acquire how your amp works. So when yous go back to your original tone, you will find you tin make further improvements to it. It's worth the effort.

Get More From Your Amp

If you spend time applying the advice in this guide, you will larn how to go the nigh out of your amp. Don't look to rush through the above steps once and get an expert on your amp'south tone. It doesn't work that fashion. Your ears demand time to learn how your amp's EQ knobs affect your tone or how much proceeds is the ideal amount.

Practice getting to know your amp just similar you would exercise a song. The more time you spend slowly going through the above steps, the better your tone will become.

Guitar Furnishings Course

If yous use any guitar pedals or are thinking of adding furnishings to your rig, check out my Guitar Effects Class. The course gives a complete overview of the most common types of guitar furnishings, how they piece of work and how to go the best sound out of them.

The more you understand guitar effects, the easier information technology is to employ them to craft a better tone. The guitar effects course will comprehend everything y'all need to get the nigh out of any pedals you ain.

Other Useful Guides

There'southward a lot more y'all tin do to achieve a good tone with your amp. Here are a few guides to help you get more out of your amp:

• vii Tips for a Bully Guitar Amp Tone
• Can You Use a Guitar Amp as a Speaker?
• How to Play Electric Guitar Without an Amp
• Different Types of Guitar Amps Explained
• All-time Battery Powered Mini Portable Guitar Amps
• How to utilize the iv Cablevision Method

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Summary

Article Name

Ultimate Guide to Guitar Amp Settings

Description

Looking for guitar amp settings for a style of music or specific tone? Let's do one ameliorate and learn how to become the most out of your amp past ear.

Author

Aaron Matthies

Source: https://guitargearfinder.com/guides/ultimate-guide-to-guitar-amp-settings/

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